Experimentation in Literature in the 1920s Essay -- essays papers

Experimentation in Literature in the twenties The year 1920 opened a decade that proved to be like none other before it, a decade that was to shake the world. The 1920s changed the way the world worked, for it was a time of uncovering and achievement by improvisation and experimentation, when in the chivalric e genuinelything had been carefully labored over, and thought place thoroughly. A few of these discoveries and achievements, and the men who accomplished them, stand out from the rest. With pack Joyce and the exit of his massive masterpiece Ulysses, T.S. Eliot, and the publication of his brilliant and stunning poem The Waste get down, and F. Scott Fitzgerald and the publication of his complex and tragic The Great Gatsby, the 1920s were indeed a time of amazing discovery and achievement through experimentation and improvisation. T.S. Eliot published The Waste Land in 1922, and the world of poetry changed forever. Yet his experiments in version and style began long before The Waste Land was ever published. Eliot was developing his unique style, as demonstrated in several of his early poems. Noticeable among these poems is the sizable work The Love Song of J. Alfred Prufrock, which received some(prenominal) critical acclaim after being published in America. The Love Song of J. Alfred Prufrock, or dependable Prufrock, as many critics called it demonstrated his combination of strident pessimism and withering hopes and desires with the sterility of modern life. Another shocking feature in the poem was the juxtaposition of the brilliantly original verse with the cliched, something that made his style very unique never before had anyone so daringly put the common language and the esoteric together in such a fashion. Prufrock effectively presen... ...ng Company, 1996Anderson, Chester, James Joyce. New York, Thames/ Hudson, 1967.Brownstone, David and Irene Frank, Timeline of the Twentieth Century. Canada, Little-Brown and Company, 1996.Danie l, Clifton, editor, Chronicle of the Twentieth Century. fall in States, Harper and Row, 1990.Daniels, Jonathan, The Time Between the Wars. United States, Doubleday, 1966.Day, Martin, A Handbook of American Literature. New York, Crane, Russak, and Company, Inc., 1975.Ellman, Richard, James Joyce. United States, Oxford Press, 1959.F. Scott Fitzgerald, Gales Discovering Authors, 1995.James Joyce, Gales Discovering Authors, 1995.Severn, William, The End of the Roaring Twenties. United States, Simon and Shuster, 1969.Tate, Allen, editor, T.S. Eliot and His Work. United States, University of the South, 1966.T.S. Eliot, Gales Discovering Authors, 1995. Experimentation in Literature in the 1920s Essay -- essays papersExperimentation in Literature in the 1920s The year 1920 opened a decade that proved to be like none other before it, a decade that was to shake the world. The 1920s changed the way the world worked, for it was a time of discovery and achievement through improvisation and experimentation, when in the past everything had been carefully labored over, and thought out thoroughly. A few of these discoveries and achievements, and the men who accomplished them, stand out from the rest. With James Joyce and the publication of his massive masterpiece Ulysses, T.S. Eliot, and the publication of his brilliant and stunning poem The Waste Land, and F. Scott Fitzgerald and the publication of his complex and tragic The Great Gatsby, the 1920s were indeed a time of amazing discovery and achievement through experimentation and improvisation. T.S. Eliot published The Waste Land in 1922, and the world of poetry changed forever. Yet his experiments in form and style began long before The Waste Land was ever published. Eliot was developing his unique style, as demonstrated in several of his early poems. Noticeable among these poems is the powerful work The Love Song of J. Alfred Prufrock, which received much critical acclaim after being published in America. The Love Song of J. Alfred Prufrock, or just Prufrock, as many critics called it demonstrated his combination of blatant pessimism and withering hopes and desires with the sterility of modern life. Another shocking feature in the poem was the juxtaposition of the brilliantly original verse with the cliched, something that made his style very unique never before had anyone so daringly put the common language and the esoteric together in such a fashion. Prufrock effectively presen... ...ng Company, 1996Anderson, Chester, James Joyce. New York, Thames/ Hudson, 1967.Brownstone, David and Irene Frank, Timeline of the Twentieth Century. Canada, Little-Brown and Company, 1996.Daniel, Clifton, editor, Chronicle of the Twentieth Century. United States, Harper and Row, 1990.Daniels, Jonathan, The Time Between the Wars. United States, Doubleday, 1966.Day, Martin, A Handbook of American Literature. New York, Crane, Russak, and Company, Inc., 1975.Ellman, Richard, James Joyce. U nited States, Oxford Press, 1959.F. Scott Fitzgerald, Gales Discovering Authors, 1995.James Joyce, Gales Discovering Authors, 1995.Severn, William, The End of the Roaring Twenties. United States, Simon and Shuster, 1969.Tate, Allen, editor, T.S. Eliot and His Work. United States, University of the South, 1966.T.S. Eliot, Gales Discovering Authors, 1995.